The workflow is the same, as with both tools you can send a RAW file for processing and get an enhanced DNG file added to your library. So how does this look using DeepPRIME XD? This is built into DxO PureRAW, which can work both as a standalone batch processing tool and as a plug-in for Lightroom. There is still some noise, but I don’t mind that, and a lot of the magenta blotchiness on this bike’s tank is gone too. I’ve tried for a compromise between detail and noise reduction. I did spend some time with Lightroom’s detail masking and luminance noise reduction sliders to get a much better result you can see here, though I’m still not very happy with it, and there’s some nasty mushiness in the foliage in the background.īut what can Lightroom’s AI Denoise tool do? For this image I didn’t use the default setting of 50, as this was starting to take away some fine detail. Worse, the Canon’s sensor is also introducing some blotchy magenta artefacts in this heavily recovered dark detail, and that’s not going be easy to fix, if it’s possible at all. Lightroom tends to introduce a good deal of noise on its own, and when you combine that with this camera’s somewhat noisy deep shadow detail, it’s not going to go well. My regular Lightroom image is pretty well unusable.
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